Arthur Frothingham, one of the founding fathers of Art History, here discusses the problem of the Gorgon in ancient Greek art by arguing that Medusa represents a lost prehistoric goddess.

This piece includes the text, translation, and commentary for a long inscription found on the temple of Artemis and shorter honorific inscriptions on cylindrical stelai found in the ancient city, all dating from the 4th century BC.

Arthur Frothingham, one of the founding fathers of Art History, here discusses the problem of the Arch of Constantine, whose form and artwork is at odds with the artwork of the era of Constantine.

Esther van Deman, an important historian of architecture, shows the methodology by which building chronology was set for Roman concrete buildings,

William Dinsmoor, the famous historian of Greek architecture, presents the epigraphical evidence for this building process in this series of papers divided by individual building.

Wagener and Ashby here give a report on the Roman remains at the site of Velitrae including roads, temples, basilica, and the amphitheater.

Earnest DeWald traces the development of the iconography of the Ascension from its earliest type through to the Gothic form, showing the manner in which the Eastern influence modified the types current in western art.

In this ambitious article Eisen creates a chronology of eye beads (glass beads decorated with eye-like spots) from sites in Europe, the Near East, and North Africa.

Arthur Frothingham, one of the founding fathers of Art History, here discusses the origins of Hermes, and suggests that the prototype of Hermes was an Eastern deity of Babylonian extraction.

Ancient Locris stretched from Thermopylae to Larymna and was home to the Locrians. In this ariticle Oldfather presents a survey of the sites and topography of this important region of Greece.