This unique manuscript of the East Syrian Syriac ‘Masora’ is essential for any study of early Syriac vocalization, accentuation, and punctuation. This volume presents a facsimile reproduction of this ‘masoretic’ manuscript. An introduction and comprehensive scriptural indices will be included in a forthcoming volume.

In this paper Houghton addresses two problematic Italian Renaissance sculptures whose artists are unknown, the portrait bust of a youth and that of a Roman emperor.

This paper presents the very few surviving inscriptions from this period before Mummius' sack of Corinth and includes some of the few Greek decrees known at the time of the writing of the paper.

This paper reviews these competing theories of the definition of 'Gothic' and the way in which this style developed, presenting an overview of the difficulties involved in assigning a single name to a developing form of human expression

In this article Harriet Boyd Hawes, groundbreaking archaeologist, nurse, and relief worker, suggests that the reliefs are the adornments of a couch-altar that stood in the sanctuary which Themistocles restored for the Lycomids at Phlya..

Arthur Kingsley Porter here traces the roots of Renaissance sculpture to the smaller decorative sculptures found on the outside of churches and other buildings beginning around the turn of the first millennium A.D.

Esther van Deman reconstructs the structure of the Neronian Via Sacra (one of the arterial roads leading through the Roman Forum), which was refurbished during his reign with colonnades.

In this paper Margaret Waits offers an explanation for the pervasive and enigmatic symbol of the double-axe in Mycenaean culture with special reference to the religions of Greece and Asia Minor

This series of papers presents a thorough and enlightening overview of the nature of the Erechtheion's remains, its history of renovation and destruction, and the purposes to which it may have been put.

This paper discusses the tales of Heracles as told in vase-paintings, which often represent earlier or more popular versions of the stories than those preserved in upper-class literature.