Hickmann describes a 17th century work by Guaman Poma chronicling the first period of the Conquista. Details from this book are comparable to archaeological finds of musical instruments that have since disappeared. The author provides illustrations of ancient Andean instruments.

This paper contains an overview of Pre-Columbian music research between 1880 and 1920. Figures and the interdisciplinary direction of the research movement are discussed in detail. Many of these early studies remain ignored, which is a concern for music historiography.

Proceedings from the British Archaeological Association contain music studies from 150 years ago. Lawson raises a historiographical concern for these early discussions, as many of the authors are forgotten.

The pioneers who contributed towards the formative period of Scandinavian musicology (ca. 1915–1940) were highly interested in ancient music. Kolltveit describes approaches by pioneers Hammerich, Panum, Andersson, Norlind, Leden and Tveitt in their cultural, political, and academic contexts.

Lund describes the development of Scandinavian music history from 1797 with the first discovery of lurs in Denmark to the modern discipline as it is established in research during the 19th and 20th centuries. Systematic orientation came in the 1970s.

Three interpretative trends address the vision at the ratification of the Sinai covenant in Exod. 24:10. Traditions relate whether God or a throne was seen, as well as the consequences for this vision for the leaders and history of the Israelites.

This study investigates how the Rabbis handled the Book of Chronicles, highlighting issues including intermarriage. While genealogical lists contain intermarriage in Chronicles, Ezra-Nehemiah is generally opposed. Ezra did compose some of the lists and intermarriage was acceptable only under certain conditions.

This paper examines the construction of masculinity among male members of the Church of Jesus Christ of Latter-day Saints (Mormons) and its underlying historical factors.

This paper examines the “muscular Christianity” phenomenon in Mel Gibson’s 2004 film The Passion of the Christ and Ernest Hemingway’s 1926 short play, “Today is Friday.”

This paper explores the Israeli Haredi community’s social construction of the male body.