Luca della Robbia was a Florentine sculptor who is currently thought to have lived from 1400-1482. In this article Alan Marquand suggests a chronology for the Madonnas sculpted by Luca della Robbia.

Minton Warren illuminates the process by which he and other editors navigate the very difficult task of editing the plays of Terrence from manuscript to edition.

In this piece Mary Gilmore Williams uses literary and epigraphic evidence to reconstruct a portrait of two key women of the second century AD, Julia Domna, wife of Septimius Severus and mother of Cara-calla, and her niece Julia Mamaea.

Powell gives a listing of surviving inscriptions from his excavations in Corinth with illustrations, text, and commentary that includes nine inscriptions that likely predate Julius Caesar's rebuilding of the city in 46 BC.

In this article Shipley uses a parent and child manuscript of Livy to show how and why errors come into texts as they are copied and to suggest methods for recognizing such errors and correcting them.

This site report presents a Mycenean palace found at Nippur (a city in the heart of ancient Babylon) with a floor-plan and style similar to the palace at Tiryns.

Arthur Frothingham, a father of the discipline of Art History, here lists and categorizes the form and development of the Roman triumphal arch.

This site report for Oeniadae includes sections on the history and topography of this site, the remains of the theater, a temple, villa, a Greek bath, and the famous ship-sheds that housed the local fleet.

In this paper Weller suggests the location, size, and form of the archaic building over which the Propyleia (the gateway building) now stands.

Dennison suggest that the 'Scipio type' Roman portrait bust, once thought to represent Scipio the elder, actually depicts priests of Isis, whose cult rose to prominence at the time these busts were carved.