Irenaeus of Lyons on Baptism and Eucharist

How was the past imagined by Hui Muslims in late nineteenth and early twentieth century China? Chen argues that this was a productive time for historical thought, bookended by the establishment of a robust Sino-Islamic knowledge base by Liu Zhi on one end and Republican China on the other end. This book explores histories that unify vast stretches of time and place: from genesis to the modern era, from Arabia to China. Hui historians create narratives that transform China into an Islamic space and Islam into a Chinese religion.

How the Jewish and Christian communities that emerged in the early Roman Empire navigated a ‘Hellenistic’ world is a longstanding and unsettled question. Recent scholarship on the intellectual cultures that developed among Greek speaking subjects of Rome in the so-called Second Sophistic as well as models for culture and competition informed by mathematical and economic game theories provide new ideas to address this question. This study offers a model for a kind of culture-making that accounts for how the cultural ecosystems of the Roman Empire enabled these religious communities to win legitimacy and build discourses of self-expression by competing on the same cultural fields as other Roman subjects. By considering a range of texts and figures—including Justin Martyr, Tatian, the ‘second’ Paul of the Acts of the Apostles, Lucian of Samosata, 4 Maccabees, and Favorinus of Arelate—this study contends that competing for legitimacy enabled those fledgling religious communities to express coherent cultural identities and secure social credibility within the complex milieu of Roman Imperial society.

The system of petition and response was part and parcel of life in the Roman Empire. This book contextualizes Justin Martyr’s Apologies within this system of petition and response, arguing that Justin, in a fertile moment in the history of administrative practice, took a well-scripted form of imperial supplication and public display and boldly transformed it into a uniquely stylized statement of voiced injustice and Christian transparency. Using the heuristic of performance, this book not only compares the Apologies to extant petitions but draws attention to Justin’s strategies of elaboration and to the qualities of his work as a staged enactment within wider political, social, and literary contexts. The result is a reading of the Apologies as an opportunistic combination of petitionary, apologetic, and protreptic discourses by which Justin sought to address both his procedural objections to Christian trials and the popular and philosophical prejudices of his learned contemporaries.

This book is the first-ever edition of the complete palimpsest undertext of Codex Zacynthius (Cambridge, University Library MS Add. 10062), the earliest surviving New Testament commentary manuscript in catena format. It relies on new multispectral images produced by a research project funded by the UK Arts and Humanities Research Council in 2018.