This extract from Michael G. Morony’s Iraq After The Muslim Conquest presents a brief yet through presentation of the complex language and political history of the Aramaeans of that region. The interaction of the Aramaeans and the Arabs during the period of the Islamic conquest is sketched out, citing the important families and individuals that stand out in this situation. The somewhat uneasy mutual relationship between the Arabs and Aramaeans is briefly explored.

This brief introduction to the state of Christianity in Iraq during the ascendancy of Islam begins with a discussion of the friction between Christians and Magians. The political role of the church among the Sassanians, both internally and externally, is addressed. With the Islamic conquest various traditions circulated regarding the tolerance of Christianity within Muslim jurisdiction. Morony skillfully navigates these traditions, providing a plausible historical view. The formation of the Assyrian Church of the East’s doctrine and identity as well as their schools, monasteries, laws, and their sense of community and separateness are considered. The contrast with Monophysites with their “Nestorian” competitors rounds out the discussion.

The cuneiform terms for sport introduce these studies on a variety of topics dealing with Akkadian and Sumerian lexicography. Other essays include an exploration of a cuneiform description of a volcanic eruption, the Assyrian words pâtu (blowy), pâţu (brim), miţpânu (longbow), talîmu (full brother), budulxu (bdellium), zâzu (halve), marçu (sick and arduous), xamâdu (to help), napšu (lust), and kamâsu, kanâšu, and qamâçu. Semitic and Classical descriptions of naphtha and asphalt, and a study of the cuneiform name of the home of ‘Omar Khayyâm are included. Sumerian lexicography is not neglected, with explorations of nimur (salt, smoke, salt-swamp), and azalak (fuller).

A collection of studies on the Syriac sixth century writer Jacob of Sarug by a team of international scholars, including Susan Ashbrook Harvey, Sebastian P. Brock, Sharbil Iskandar Bcheiry, Khalid Dinno, Sidney Griffith, Mary Hansbury, Amir Harrak, George A. Kiraz, Edward Matthews, Aho Shemunkasho, and Lucas Van Rompay.

Presented in the original Persian, this volume represents the solely published first volume of the Haft Ásmán “seven heavens,” or a compendium of poetry in the seven epic meters of Persian poetry. This history of the masnawí, or Middle Persian poetic form, written in rhymed couplets, is here presented by one of the recognized teachers of Persian in India. This, his final work, was intended to be an introduction to the works of Nizami. As such it contains invaluable nuggets about the Persian poets and their poetry.

The JCSSS is an annual refereed journal containing the transcripts of public lectures presented at the Canadian Society for Syriac Studies Inc. It focuses on the literature, art, and archaeology of Syriac Christianity from the 2nd century to modern times. Contributors include Lucas Van Rompay, Craig E. Morrison, Cor-bishop David Royel, Mary T. Hansbury, Narmen Muhamad Amen Ali, and Khalid Dinno.