This volume is part of a series of English translations of the Syriac Peshiṭta along with the Syriac text carried out by an international team of scholars. Greenberg and Walter have produced an annotated translation of the Peshiṭta version of The Twelve Minor Prophets, while Kiraz and Bali have edited the Peshiṭta text. The English translation and the Syriac text are shown on facing pages so that both can be studied together.

Lazarus compares and discusses comic elements used for didactic purposes in two separate literary traditions: Old Testament narrative and Aristophanic Comedies. Given that humour relies on taking people's ideas of what is normal and making them incongruous, this volume examines these very different texts to see how they use that comic incongruity to help define what it means to be human within the hierarchy of the universe.

From Jael’s tent peg to Judith’s sword, biblical interpreters have long recognized the power of the "lethal women" stories of the Hebrew Bible and related literature. The tales of Jael and Judith, female characters who assassinate enemy commanders, have fascinated artists, writers, and scholars for centuries, no doubt partly because of the gender of the characters doing the killing. Tamber-Rosenau presents the first systematic study, both text-centered and deeply engaged with a variety of queer-theoretical frameworks, of the motif of the woman-turned-warrior in ancient Jewish literature. Through analysis from queer-theoretical perspectives and comparison with Ancient Near Eastern and Greco-Roman literature, Women in Drag shines new light on three strong female characters from the Hebrew Bible and the early days of Jewish literature.

Daughter Zion's Trauma offers a new critical reading of the Book of Lamentations through the lens of trauma studies. Through structural analysis and use of the concept of non-referential history as a heuristic lens, Yansen yields fresh insights into the book’s form, language, and larger "historical" significance. Utilizing insights from study of the rhetorical dimensions of the trauma process in cultural trauma, this study asserts that Lamentations strategically adapts certain religious traditions to ensure the survival of those whose voices it echoes.