The colophon, the ultimate or “crowing touch” paragraphs of a manuscript or a book, provides readers with a the historical context in which the scribe produced the manuscript (or the publisher, a book). At its most fundamental level, the colophon gives us the “metadata” of the manuscript: who was the scribe? When and where was the manuscript produced? For whom was it produced and who paid for it? But colophons are far more rich. They are literary works in their own right, having a style and rhetoric independent of the main literary text of the manuscript. Some are assertive, providing contextual data about the scribe/publisher and manuscript/book; others are expressive, demonstrating the scribe’s feelings and wishes. Some are directive, asking the reader for an action; others declarative, providing all sorts of statements about the scribe/publisher or even the reader. The latter sometimes provide historical facts otherwise lost to histories: wars, earthquakes, religious events, legal agreements, etc. This volume introduces the colophon as a genre, with examples from different traditions.

The structure of the Book of Numbers and its division into textual units has long been of interest to scholars, and various theories have been put forward based on criteria such as time, location or theme. The present volume offers a syntactic-hierarchical analysis of the Book of Numbers, giving priority to syntax and secondary priority to participants and their roles.

Ancient Nubia played key political, social, and economic roles in the ancient world, yet knowledge of Nubian societies remains regrettably narrow, with Nubia often disregarded as derivative of Egypt. This volume provides a timely corrective to this outlook, centering Nubian history and archaeology and presenting research from postcolonial and anti-racist perspectives. In addition to demonstrating Nubiology’s potential impact on Egyptological, classical, and biblical scholarship, this volume offers a new window into African achievements and dominance in the ancient world.

The Passover Haggadah, the quintessential Jewish book, began taking shape in the period of the Mishnah and the Talmud (ca. 100-600 CE). Even by 600, it did not look like it does today. Major portions were wanting, e.g., the story of eminent sages at a seder in Bene Beraq; the typology of the four sons; the midrashic expansion of the story of the exodus; the song Dayyenu. Those compositions (mostly) or borrowings were incorporated into the Haggadah between ca. 600-900 (the Geonic period). Such selections completed the Haggadah, producing the book used at Passover Seders to the present day. This study shows how the section of the Passover Haggdah known as maggid (“recounting”) achieved its comprehensive structure and contents between ca. 600 and 900 CE (the geonic period).